Looking ears I
Ton Bruynèl Looking Ears I
Robert Nasveld plays on this album Toccare for piano and soundtracks (1979)
Ton Bruynèl Looking Ears I
Robert Nasveld plays on this album Toccare for piano and soundtracks (1979)
Robert Nasveld presents a wonderful example of the bitter melancholy that is the essence of the blues with his beautiful Frozen Blues.
My reference for comparison with Crumb’s Makrokosmos IV is that of Robert Nasveld on the Attacca label, 9371 and 9372. My main reason for selecting this version is that it has always come out on top, all other recordings which I have come across long having gone by the wayside.
Crumb himself could not have wished for a better recording.
Robert Nasveld writes exceptionally beautiful music, although its beauty is not pastoral, but contradictory, unstable, disturbing, capable of stimulating all spiritual forces of the listener.
Robert Nasveld’s set of the Complete Works for One Piano by George Crumb is well worth having.
When you are at a dead end with a student, ‘Hand over Hand’ has funny, exciting, sensitive pieces to make him/her enthusiastic again.
He understands my music as no other.
Nasveld has always been a wayward composer, showing little interest in trends.
Robert Nasveld’s music presented surprising power of expression.
Pianist and composer Robert Nasveld is an outsider; as radio producer and indefatigable advocate of American composer George Crumb he is a man of significance.